I’ve been discovering that the JBLs inherent extended dynamics and wide soundstage really help translate the best qualities of records and noticeably improved my listening experience with them. While the monitor market is now more crowded than ever, especially in the sub- £500 $500 region, anything new from JBL targeting that sector is always worth a closer look, especially when, as our US cousins might say, it 'leverages' technology from their high-end studio speakers. Melody Gardot, My One and Only Thrill, Verve, CD. It is equal amounts graceful, controlled and powerful and it is showed off in grand style on this trademark album. Vol.11 – November 2020, A Collection of New Vinyl for the Audiophile: November 2020, Setting Up a Bryston BDA-3.14 Streaming DAC and Qobuz Streaming Service – A How-to Series, Part 2, Setting Up an AURALiC ARIES G1 Streamer and Qobuz Streaming Service – A How-to Series, Part 1, DCI-P3 Color – What It Means in Today’s Ultra HD World, AVR-Audio Video Reciever-Build Quality: Part V. Does Your Projector Display Accurate Color, and Why Is That Important? Its design is meant to control and extend the frequency response, both on and off axis, and to provide a deep three-dimensional soundstage all the way down to the crossover point.”. Leonard Bernstein, Beethoven Ninth Symphony New York Philharmonic, Columbia Stereo LP, 1969. Also, inaudible. The other key to the JBL’s Studio Monitor Loudspeaker’s impactful performance is found in the lower frequency section. There were more layers and separation between the notes in Angus Young’s guitar solos. Measurements for on and off axis frequency response were taken at a distance of 1 meter from the speaker while distortion measurements were taken at 1 foot distance from the appropriate driver. Not just another version of Beethoven’s Ninth but, after much searching and listening, I believe this is the version that was used, and uncredited, in the end credits of the movie Die Hard. The matte black speaker cabinet may not be the most visually striking in our review, but these floor standing speakers produced an open and accurate tone across a wide frequency range in both music and movies. Unlike the on-axis measurement, this tries to give a better indication of what the speaker’s legitimate response is. The JBL’s woofer rounded out and filled in the appropriate piano notes with just the right amount of weight while the compression driver kept the horns sounding crisp and clear but without any distortion or irritating sharpness in the sound. At 24 Hz the distortion level at 100 dB rises to just below the level of audibility, when measured at the driver, at 9.55191%. Tony Bennet’s voice is unmistakable. In the JBL 4367 Studio Monitor press release, JBL comments: “The D2430k dual-diaphragm, dual-voice-coil compression driver, employs two annular (ring-shaped) diaphragms and two voice coils to deliver extended high frequency response to 40kHz with extremely low distortion even at high volume levels. No bloat to speak of. But to get the best demonstration of what these speakers can do with this particular disk, cue up “The Rain”, an intimate slow burning tune that is just vocals and piano with a sparse sprinkle of sax and acoustic bass. Tony Bennett, This Is All I Ask, Columbia Stereo LP, 1966. I heard more grit and scratch from Bon Scott’s voice. In the 4349 Studio Monitor, the D2415K is situated in the throat of JBL’s revolutionary HDI horn, which is designed to deliver neutral frequency response both on-axis and off-axis. I also think that vinyl lovers will particularly appreciate the sonic capabilities of the JBL 4367 Studio Monitor Loudspeaker. On paper, the JBL 4367 looks to be an extremely efficient and capable loudspeaker design. Their large, slightly retro enclosures feature a compression horn system for tweeter and super tweeter, linked to a beefy woofer. What I would like to point out is that all these monitors have EQ options to help you fine-tune the sound so don’t take this particular recording as an absolute answer. We’ve all heard those quaint little discussions among some audiophiles about how smaller woofers sound “faster” than big woofers and such. The annular diaphragms are not subject to the break-up modes of a conventional dome diaphragm, and the use of two voice coils yields a dramatic increase in output and power handling.” The waveguide horn is a new, patent pending, design made from an extremely dense and acoustically inert composite. With its 4-inch flat wire voice coil and potent Alnico V magnets, it was a revolutionary speaker for its time. Are Expensive outboard DACs a waste of money? The 5-inch powered woofer is a good size for a medium-sized studio. Carlo subsequently spent a lot of time in his room…As he grew older, he would spend countless hours in downtown Toronto stereo shops, listening to all manner of gear and picking the brains of the various store owners. Having just recently become the owner of a half-decent turntable, and my in-laws pristine jazz record collection, I’ve been spending more and more time with the 12-inch black plastic platters of late, and have been enjoying their virtues. Rigidity is further enhanced by the use of two varying braces connecting all of the vertical panels. At no additional cost to you we will earn a commission if you decide to buy through these links. Great music helps feed the soul and inspire creativity, and also provides for the occasional distraction. Also, don’t expect the level of detail that you’d find in massively more expensive speakers. The highly-advanced drivers have excellent efficiency and impeccably low distortion. Hopefully, you just don’t care about looks because the sound is what matters and on that front they definitely deliver. If he had a personal philosophy, it would be; always be open to learn something new and don’t take yourself too seriously. More often than not, and to varying degrees, I’ve tended to give the nod to my CD copies as having the edge in sound quality and it typically boils down to a difference in perceived clarity and dynamic range. Single 15” Model 2216Nd-1 Differential Drive Woofer, Single 3” Model D2430K Dual Diaphragm Compression Driver mated to a Horn Waveguide, Dual Gold-Plated Five-Way Binding Posts, Bi-Wire and Bi-Amp Capable, JBL, 4367, Studio Monitor, Professional, Waveguide, JBL 4367 Studio Monitor Loudspeaker, Loudspeaker, Reference monitors, Loudspeaker Reviews 2017. (function(){window.mc4wp=window.mc4wp||{listeners:[],forms:{on:function(evt,cb){window.mc4wp.listeners.push({event:evt,callback:cb});}}}})(); The Image Control Waveguide, as they call it is the concept borrowed from a larger set of monitors, the M2 mastering monitors. The following are a few notable musical selections that I felt showed off the JBLs during our time together: Zoot Sims, Quietly There: Zoot Sims Plays Johnny Mandel, JVC XRCD. The LSR305 is equipped with a 5” woofer and a 1” soft dome twitter each powered by a 41W Class D amplifier. It’s a very safe bet to say that these speakers would be seriously tube amp friendly, if you are so inclined. Today we will be reviewing a floorstanding speaker that has been around for a few good years and has been very popular among home theater fans. The subwoofers especially, continued to soldier on long after the satellites were replaced with better sounding modern units. It’s that this speaker, while perfectly happy in a carefully managed home listening environment, would be equally at home in a large event hall energizing the room at volume with all manner of requests. It seems that the crafty buggers at JBL have figured out how to produce a bona-fide audiophile monitor that also moonlights as possibly the world’s best party speaker! A great monitor for the price that can serve well as your first pair of monitors or as secondary pair if you already have larger monitors. Our magazine, which began with the publication of the SECRETS Primer, is available exclusively on-line and offers to our readers an extensive information resource about home theater and high-end audio. The specially designed waveguide helps to ensure a wide and deep sound stage and all together give this speaker a large dynamic reservoir to facilitate its lighting up a room with sound. It was truly a “Frankenstein’s monster” of a speaker set but it served me well for many years. If you’re looking for a monitor that goes loud and low, and has excellent high-frequency performance, JBL’s new range might just fit the bill. And it works. Right from the opening guitar riff of “Highway to Hell” to the throw away, “Shazbot, Na-noo, Na-noo” line at the end of “Night Prowler” I heard more details being mined out of this CD than I have ever heard previously. It’s essentially simple and classic two-way design belies some seriously advanced driver and waveguide engineering. It’s going to work but it’s not an ideal use case for them. Don’t miss the HSM newsletter full of tips, tricks and giveaways: Dimensions (H x W x D): 11.75in x 7.28in x 9.88in (298mm x 185mm x 251mm). I have the CD remaster of this performance (originally recorded in 1964) as well and, while it does sound cleaner and a little more extended, the vinyl has an appealing warmness and immediacy that makes it more enjoyable to me. The JBL 4367 Studio Monitor is a two-way front-ported single cabinet design with the crossover set at 700Hz. The JBL 4367’s on-axis frequency response shows essentially textbook good behavior from 500 Hz right up to 20 kHz and certainly a little beyond. The biamplified 308P MkII offers the same cabinet size (16.5 x 10 x 12.1 inches) as its predecessor, a pretty typical size for an 8-inch monitor. This particular woofer (JBL Model 2216Nd-1) features a specially treated pure pulp (paper) cone set in a cast frame. You don’t really have to be sitting perfectly in the sweet spot to hear your instruments right and to be able to point out their position in the stereo field. Yes, these speakers sounded positively joyful. This time we take a closer look at the monitors, the good, the bad, and what makes them special in a way. On “A Time for Love” the detail afforded by the JBL’s compression driver make Sims’s breathing easy to hear as he plays the smoldering lead, almost lending his performance an otherworldly quality that hovered midair, just in front of me. On the contrary, place them too close to the walls and you may find yourself with an overabundance of bass. It was at about that time as well that Carlo began purchasing “Audio Magazine” on a regular basis and came to appreciate, in particular, the writing and reviewing of the late Leonard Feldman. This desire for knowledge-through-deconstruction continued through to the family’s 8-track tape player, turntable, headphones and speakers. So they are good in a variety of situation but one thing I would add in any of them is to keep them at a bit of distance from the rear facing the wall. JBL Studio 530s should be the benchmark for all small monitor speakers under two thousand dollars. I seem to have misplaced my 100 dB distortion measurement at 40 Hz but I kept the one I took at 95 dB which shows a distortion level of only 0.127169%. A wide variety of music is often heard coming from Carlo’s studio while working on his latest project. The JBL 3 Series MKII powered studio monitors provide accurate detail for recording and offer superior quality for personal listening. Specifically when it comes to audio reviewing; honesty and a good balance of objective and subjective observation is key. JBL LSR305 Studio Monitor. There is no denying however that the warmth of vinyl sound has a unique appeal all its own. Kick drums on driving rock music were almost concussive when they hit. For this review, the connected components consisted of: an OPPO BDP-105 Universal Disc Player, a Technics SL1200 Mk 6 turntable with a KAB fluid dampened tonearm mod and a Shure M97xE phono cartridge, a Parasound “Zphono” phono preamp, two Class D Audio SDS-470C Power amplifiers (300 watts @ 8 ohm, 600 watts @ 4 ohm) and a Panamax M5500 power conditioner. Full-range Speaker Systems vs. Satellite-subwoofer Combinations, MartinLogan Motion 40 Floorstanding Speakers Review, DALI Rubicon 6C Smart Active Loudspeaker System Review, NHT C-4 Loudspeaker and CS-12 Subwoofer Review, Xavian Quarta Stand-Mounted Speakers Review, Starke Sound A8.350 8-Channel Power Amplifier Preview, Full Immersion and Dynamics out of the Wall: Self-powered loudspeaker for home theaters, Heavenly Soundworks introduces the FIVE17 Active Loudspeaker System, Cambridge Audio introduces Melomania Touch and a brand-new innovation in true wireless technology: High Performance Audio Mode, The MediaLight Flex Mk2 6500K LED Bias Lighting System, G.E.M. They have a little bit more power in the drivers compared to the JBL Studio 590. The tweeter is the firm’s special CMMD waveguide with a geometry derived from the M2 series. That said, like with any speakers, the environment heavily influences the sound. On the song “If the Stars Were Mine” the JBLs handle the softness in Gardot’s vocals here with skill, balancing the lower volume and gentle phrasing but still fastidiously rendering all the details each time she clearly draws breath. The JBL 4312G is principally inspired by the 4310 family of professional studio monitors that came into prominence during the early 1970s. I would say it’s good enough for a small room but if you really want to go deeper you might want to pair them with a subwoofer. The styling is classic JBL: a massive single cabinet with a large, front facing 15-inch woofer set below a waveguide horn. Everything below 300 Hz is governed by room modes and is less of a concern at this point with this measurement. On the track “Cinnamon and Cloves” a gentle keyboard intro and accompanying maracas sounds almost like musical raindrops floating between the two speakers with a crisp ringing decay to the notes. For once, I’m one step ahead of Pickford in the small studio-monitor stakes. JBL Studio 530: Sound quality The XX always provide an expansive, roomy soundstage, and … JBL Studio 530 Speaker Review. The bass and midrange drivers are made of so-called PolyPlas, which is another of JBL’s specialties. In our picks for best studio monitors, we presented the JBL LSR305 as another option besides those picked. After a little experimentation, I settled on a result that had the speakers placed about 8 feet apart, toed in approximately 15 degrees, and set well into the room. Their 305P is a solid choice given it’s a small, woofer packed system that offers you almost everything you can possibly look for. If you are a DJ they also serve as excellent reference monitors in your home DJ studio. Find helpful customer reviews and review ratings for JBL Studio 530 2-Way 5.25-Inch Bookshelf at Amazon.com. Studio monitors. The satellites had a Celestion Beryllium-Copper dome tweeter and a KEF B110 midrange driver. Speaker wire and interconnect cable by Blue Jeans Cable. Carlo started his own company and has been freelancing artwork, from his home studio, for primarily the toy and publishing industries since 2001. The 4367s keep these background instruments in perfect focus as I can clearly pick out and hear into the vibration of the bass string plucks. To that end, if there were one thing that I would like to see on the JBL 4367, it would be the addition of some sort of boundary compensation switch or another set of trim controls to adjust the bass frequencies. If you are new to using studio monitors and you’re looking at your budget don’t forget to factor in other things you might need such as speaker stands, sound card, cables and so on. As with all the other material I listened to, the JBL 4367s threw up a huge soundstage and yet kept a tight focus on the background instruments as well so as not to lose any of their detail. They made me smile a heck of a lot during our time together. JBL's new LSR3 series brings technology from the company's premium monitor range within reach of the home studio. The JBLs woofers kept the standup acoustic bass lines sounding solid and meaty with plenty of detail in the plucks and reverb. Follow whathifi.com on Twitter. A native of Toronto Canada, Carlo's interest in audio began at a young age when, unbeknownst to his mother, he started taking apart her transistor radios to see how they worked. While I did not expect to have a somewhat transformative experience in listening to AC/DC, of all things, one of the 4367s core attributes started becoming very clear to me. The wide sweet spot also helps in this regard but will not solve a long way from the couch to the tv. Home » Studio monitors » JBL LSR305 Studio Monitor Review, By Emma, in If you are hankering for a mastering room type of speaker for your home stereo setup, the 4367s may be the E-Ticket ride that you are after. JBL Studio 590’s bass is what it’s known for, but we can tell you for a fact that the SVS Towers have a deeper, clearer bass. JBL Synthesis SDP-55 & SDR-35 Q&A Nick Clarke – Senior Director of Global Engineering, Thank You To All of Our SECRETS Fans and Supporters, RIAA Vinyl Sales Q&A with McIntosh Group CEO Jeff Poggi. I think this would help give prospective buyers additional flexibility for placement in various room scenarios. I came away appreciating that these JBLs have a very deep and capacious dynamic well from which to draw upon. At 250 Hz the distortion level at 100 dB begins to rise ever so slightly to 0.080793%. It features an oval pill-shaped enclosure with a coaxial 4.5” LF driver and integrated 0.75” tweeter positioned behind a black metal grille. As a matter of fact, there were more than a few occasions that I found Tony’s voice sounding, not just good, but startlingly good. Not to give the supporting musicians short shrift, the piano notes on “Got Her Off My Hands” were extremely well defined with good decay and a nice ring to them. And while it was an easy guess to expect that these speakers would handle this material competently enough, I wasn’t prepared for the level of finesse (you read that right) that the JBLs exhibited with Bon Scott and the boys. The speakers we will be talking about come from no other company than JBL that most of y… It was a fair bet to assume that getting good bass response was not going to be a problem. Lately we have seen many retailers aggressively lowering it’s price which seems to be a small indication that we are approaching the end of it’s life cycle in preparation for a refresh or a new series. Not compared to other monitors that compete with the 305. In this JBL EON 610 review, you'll discover how this 10-inch speaker offers plenty of features and great sound. In much the same way that Tannoy are iconically associated with traditional studio monitoring in the UK, over the pond in the US, a similarly iconic status belongs to JBL. True to its M2 lineage, the 15-inch Differential Drive® woofer is taken nearly unchanged from the M2 Master Reference Monitor with only an update to soften the surround and lower the resonance to enhance its performance with the 4367 cabinet. In terms of looks, it’s not the prettiest set of speakers you can find and the build quality isn’t the greatest either. The higher notes are handled by a proprietary 3” dual-diaphragm, dual-voice-coil compression driver (JBL Model D2430K) attached to JBL’s High Definition Imaging (HDI™) waveguide horn. Join whathifi.com on Facebook It’s that personal experience, tinged no doubt with a certain degree of nostalgia that brings me to look upon the JBL 4367 with a healthy dose of admiration and respect. ... For this reason, studio monitors are ideal for producers and music purists. And now for something completely different! They sound far and away better than most vintage speakers that I can begin to imagine. Using essentially the same 15-inch bass driver as the M2 and the identical dual diaphragm compression driver for the upper-mid and high frequencies, the 4367s definitely bring more than a little pro-audio “cred” to the table. One of the things that I needed to consider when I was working on placing the speakers was that we essentially have a capable 15-inch driver placed inside a roughly 4 cubic foot, ported enclosure. From the opening notes of “Keep Smiling at Trouble,” the JBL 4367s throw up a huge, expansive soundstage with Tony’s voice locked in the dead center. Benchmark audio tests of the JBL 4367 Studio Monitor Loudspeaker were conducted using a calibrated Earthworks M30 microphone. A beautifully recorded disk of jazz standards featuring Miss Gardot’s sensuous vocals. In our picks for best studio monitors, we presented the JBL LSR305 as another option besides those picked.. Efficient and easy to drive so tube lovers, rejoice. Remember that distortion levels in speakers are commonly considered to be audible at levels of 10%. The impact and decay of the lowest piano notes were potent and full of detail. Trusted by studio engineers around the world, JBL studio monitors are meticulously built to deliver the most accurate and precise sound that professionals demand. My 300 watt per channel Class D power amp had the 4367s singing at higher-than-normal room filling levels with barley a quarter-turn of the volume knob of my pre-amp. The back bass port could be an issue if you are tight on space and you need your monitors up against a wall. The entire midrange to lower treble area is exceptionally flat and well behaved. This “scene” almost sets you up to expect a sleepier kind of tune before the woofers firmly pop you with a kick drum followed Sims’ room-filling sax. When you get these monitors, if it’s your first pair, make sure you read the manual and then spend the time to properly adjust them as best you can to fit your room and setup. The JBL 305P MkII Studio Monitors are taller than an average 5-inch studio monitor. If you subscribe to this line of thinking, then consider the JBL 4367 to be probably the most effective bookshelf speaker you’re likely ever to hear, albeit in a more armoire-sized form factor. Carlo currently lives in Granville, Ohio with his wife, two young sons and a pair of hyperactive dachshunds. The claim is that there is something special here, a new bargain, a new answer for audio perfection on the cheap. This driver’s design is intriguing enough that it warranted a U.S. patent. JBL presents its Series 3 studio monitors as eminently affordable speakers you can use for serious recording, and they deliver on that promise. Also, if you are new to making music at home make sure to check out our guide on setting up your home studio. The question of what makes one piece of equipment sound better (or worse) than another is something that he’s always found fascinating. The two plots track each other tightly until we get to about 13 kHz where the treble energy begins to gently roll off. That is remarkable and counts towards a squeaky-clean sounding midrange. At 500 Hz the distortion level at 100 dB goes even lower to 0.066376%. This was particularly evident on the romantic ballad “Autumn in Rome” where the detail in Tony Bennett’s voice came through just exquisitely on the softer passages, but the speakers still kept everything sounding warm and especially lush. I can’t pay the JBL 4367s a better compliment than that. Using essentially the same 15-inch bass driver as the M2 and the identical dual diaphragm compression driver for the upper-mid and high frequencies, the 4367s definitely bring more than a little pro-audio “cred” to the table. This particular graph shows a distortion level at 10 kHz of only 0.389017% at 100 db. Through that formative experience, Carlo developed and appreciation for good music, and for good sound reproduction. Both the 305 and the 308 use a borrow a technology developed for … Huge soundstage, while still retaining plenty of detail. Controls to tailor bass for more flexible room placement. In terms of sound, the LSR305 has probably the cleanest and most balanced sound in the 5″ range. The JBL 4367 is a more consumer-friendly distillation of the highly acclaimed JBL Professional M2 Master Reference Monitor. The rear of the cabinet has four gold-plated connections for bi-amplification or bi-wiring through the separate networks, but JBL includes a pair of heavy-duty jumper cables for single-conductor usage as well. The JBL 4425 was first introduced way back in 1985 and the 4429 model is a direct replacement for this monitor. These JBLs are also, easily, some of the most efficient speakers that I’ve ever used. The inherent dynamics (and sheer lung capacity) that these speakers also possess make listening to any gospel singer or blues-belter for example, a truly visceral experience. The JBL 4367s, true to their studio heritage, grab all these tracks by the scruff of the neck and play them back with an audacious confidence that only a studio monitor playing back a session tape could have. An especially nice sheen and sparkle to their sound B110 midrange driver and waveguide combination at 10 kHz of 0.389017! V magnets, it was a fair bet to assume that getting good bass response was not to... 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