yamaha hs8 frequency response

Mid Eq and Low Cut have been removed on the HS8's. These speakers Yamaha HS8 is the new version of the 7 year old HS80M used by many as a tool for mixing music or just listening to music as i do with the new HS8. One of the primary features that make the Yamaha HS8 stand out is its higher frequency response rate. The process was not “scientific” per se as I listened only to pre-recorded music (Bruno Mars-Just the Way You Are, Brad Paisley-Alcohol and Cheap Trick-I Want You to Want Me-Live.) Also, the HS8 bass doesn't reach as low as the LSR32's, and when I walk to the back of the room, where the LSR32 bass comes together and is super deep, the HS8's lose a touch of their punchyness and I can easily hear that they don't go as deep. The HS8’s frequency response is stated to be 47 Hz to 24 kHz, -3 dB, with 10dB down points at 38 Hz and 30 kHz. The frequency response was spot on and the mix turned out great. By By Michael Cooper However, the young man who was assisting me was more than willing to pull out a fresh pair of HS7s. A wider range is also offered, with the lowest frequency response rating at 38Hz. The HS8 weighs 22.5 pounds and consumes 60 watts of power. This is Quick-Review for NEW YAMAHA HS SERIES MONITORS (not just HS8-Gearslutz choices are not current for this series, otherwise I would have chosen HS7) (Recoil Stabilizers decouple monitors from shelves, dramatically improving imaging and impulse response.) They're a little hyped (or scooped, 6 of one, half a dozen of the other), like a good aftermarket car stereo or a good mid-range hi-fi home stereo. I have even found that musicians that do their own recordings tend to have better tracks if they have great monitoring in a well-treated space. The construction is solid and the two balanced inputs (one XLR and one TRS) seem quite reliable. All in all, for my minimal aesthetic tastes, they are quite appealing. The larger and heavier design of the Yamaha HS8 compared to the HS7 could partly be attributed to the heavy bass that comes from it. Yamaha HS 8's are designed after the highly sought after and widely popular NS 10's. I bought the HS8's based on reviews and had not heard them before. Once you hear the detail and translation you won’t regret it! What is "flat"? An accurate representation of audio while working on a project is of the highest importance to anyone working in the professional audio field. If I only had the HS8's to work with, I'm sure I'd mess up the mids on things The G4S features a custom-class D power amplifier that drives the speakers to ensure the … So one of them, or both of them, can't be "flat." There is enough bass for mixing to be fun but it isn’t overwhelming or boomy, in fact it is quite focused. Bob G. Information Looking at the frequency response diagram of the HS8 closely, the most noticeable deviation is a 6-dB dip around 2 kHz. Hs8 - 12.5 kg Hs80-13.2 kg-----Better Frequency Response HS8: 38Hz - 30kHz HS80m: 42Hz - 20kHz-Updated Drivers (New Tweeter {30khz} and Woofer). They are very true to sound and I find my mixes translate extremely well after mixing through these monitors. Impressive 38Hz to 30kHz frequency response. But now that I've plugged in the HS8's and can instantly switch back-and-forth to the LSR32's, they sound very different from each other. To sum up, if you are on the fence, bite the bullet and buy. Way up. On the other hand, KRK Rokit 8 G4’s frequency response ranges from 43Hz to 40 kHz. Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. The HS8's sound scooped to me, especially in the problematic 250hz-400hz range. 8 inch cone woofer and 1 inch dome tweeter; Produce low distortion sound with a well-defined bottom end at any output level 38Hz to 30kHz frequency response; Power consumption: 60 watts 75W LF plus 45W HF bi amp system 120W total;Level control (+4dB/center click), EQ: High trim switch (+/ 2dB at HF) / Room control switch (0/2/4 dB under 500Hz) I've learned to walk to the back of my mix room to check that my low (and low low) end isn't getting too boomy, or too slack. The look and feel matter little in the world of audio…so how do they sound? The HS7 is a newer mid sized (6.5" Cone Woofer) which is closer to NS10 ( the classic studio monitor ) After activating a 2dB cut below 500 Hz using the Room Control filter on each monitor, the imaging and transient response became positively outstanding, and the upper-bass and low-midrange bands sounded crystal-clear. The HS8 features a newly designed 1-inch dome tweeter and 8-inch woofer. Yamaha HS8 Active Studio Monitor Features: High-performance drivers and mounting system; 8" cone woofer, 1" dome tweeter; Impressive 38Hz to 30kHz frequency response; Large magnets in an Advanced Magnetic Circuit design; Built-in bi-amplification: 75W LF, 45W HF; Dedicated power amps are perfectly matched to the woofer and tweeter In our case, there is a very slight (but especially important) difference between the Yamaha HS7 vs HS8: the HS7 has a Frequency Response of 43Hz – 30kHz, and the HS8 has a Frequency Response of 38Hz – 30kHz. Frequency Response. (+2db, 0db, -2db) It is fitted with a 1-inch tweeter that offers 45W of high-frequency power output. I engaged the HS8's -2db switch on the highs, to make them match my LSR32's better, but the HS8's are still brighter. Now enter the HS8's. The frequency response of the HS80M is 42Hz to 20kHz, while the newer HS8 provides a more extended frequency range. 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